Friedrich Nietzsche (1874)
Source: Schopenhauer as Teacher, from Existentialism from Dostoyevsky to Sartre edited by Walter Kaufman. short excerpt.
A traveller who had seen many countries and peoples and several continents was asked what human traits he had found everywhere; and he answered: men are inclined to laziness. Some will feel that he might have said with greater justice: they are all timorous. They hide behind customs and opinions. At bottom, every human being knows very well that he is in this world just once, as something unique, and that no accident, however strange, will throw together a second time into a unity such a curious and diffuse plurality: he knows it, but hides it like a bad conscience why? From fear of his neighbour who insists on convention and veils himself with it. But what is it that compels the individual human being to fear his neighbour, to think and act herd-fashion, and not to be glad of himself? A sense of shame, perhaps, in a few rare cases. In the vast majority it is the desire for comfort, inertia - in short, that inclination to laziness of which the traveller spoke. He is right: men are even lazier than they are timorous, and what they fear most is the troubles with which any unconditional honesty and nudity would burden them. Only artists hate this slovenly life in borrowed manners and loosely fitting opinions and unveil the secret, everybody's bad conscience, the principle that every human being is a unique wonder; they dare to show us the human being as he is, down to the last muscle, himself and himself alone even more, that in this rigorous consistency of his uniqueness he is beautiful and worth contemplating, as novel and incredible as every work of nature, and by no means dull. When a great thinker despises men, it is their laziness that he despises: for it is un account of this that they have the appearance of factory products and seem indifferent and unworthy of companionship or instruction. The human being who does not wish to belong to the mass must merely cease being comfortable with himself; let him follow his conscience which shouts at him: "Be yourself! What you are at present doing, opining, and desiring, that is not really you."...
I care for a philosopher only to the extent that he is able to be an example.... Kant clung to the university, subjected himself to governments, remained within the appearance of religious faith, and endured colleagues and students: it is small wonder that his example produced in the main university professors and professors' philosophy. Schopenhauer has no consideration for the scholars' caste, stands apart, strives for independence of .state and society - this is his example, his model, to begin with the most external features.... He was an out and out solitary; there was not one really congenial friend to comfort him - and between one and none there gapes, as always between something and nothing, an infinity. No one who has true friends can know what true solitude means, even if the whole world surrounding him should consist of adversaries. Alas, I can see that you do not know what it means to be alone. Wherever there have been powerful societies, governments, religions, or public opinions - in short, wherever there was any kind of tyranny, it has hated the lonely philosopher; for philosophy opens up a refuge for man where no tyranny can reach: the cave of inwardness, the labyrinth of the breast; and that annoys all tyrants. That is where the lonely hide; but there too they encounter their greatest danger. . . .
This was the first danger that overshadowed Schopenhauer's development: isolation. The second danger is to despair of truth. This danger confronts every thinker who begins from Kant's philosophy, assuming that he is a vigorous and whole human being in his suffering and aspiration and not merely a clacking thinking- or calculating-machine.... As soon as Kant would begin to exert a popular influence, we should find it reflected in the form of a gnawing and crumbling scepticism and relativism; and only among the most active and noble spirits, who have never been able to endure doubt, you would find in its place that upheaval and despair of all truth which Heinrich von Kleist, for example, experienced as an effect of Kant's philosophy. "Not long ago," he once writes in his moving manner, "I became acquainted with Kant's philosophy; and now I must tell you of a thought in it, inasmuch as I cannot fear that it will upset you as profoundly and painfully as me. We cannot decide whether that which we call truth is really truth or whether it merely appears that way to us. If the latter is right, then the truth we gather here comes to nothing after our death; and every aspiration to acquire a possession which will follow us even into the grave is futile. If the point of this idea does not penetrate your heart, do not smile at another human being who feels wounded by it in his holiest depths. My only, my highest aim has sunk, and I have none left." When will human beings again have the natural feelings of a Kleist? When will they learn again to measure the meaning of a philosophy by their "holiest depths"?
This, however, is necessary to estimate what, after Kant, Schopenhauer might mean to us. He can be the guide to lead us out of the cave of sceptical irritation or critical resignation up to the height of a tragic view, with the starry nocturnal sky stretching endlessly over us; and he was the first to lead himself this way. His greatness was that he confronted the image of life as a whole in order to interpret it as a whole, while the subtlest minds cannot be freed from the error that one can come closer to such an interpretation if ono examines painstakingly the colours with which this image has been painted and the material underneath. . . .
The whole future of all the sciences is staked on an attempt to understand this canvas and these colours, but not the image. It could be said that only a man who has a firm grasp of the over-all picture of life and existence can use the individual science without harming himself; for without such a regulative total image they are strings that reach no end anywhere and merely make our lives still more confused and labyrinthine. In this, as I have said, lies Schopenhauer's greatness: that he pursues this image as Hamlet pursues the ghost, without permitting himself to be distracted, as the scholars do, and without letting himself be caught in the webs of a conceptual scholasticism, as happens to the unrestrained dialectician. The study of all quarter-philosophers is attractive only insofar as we see how they immediately make for those spots in the edifice of a great philosophy where the scholarly pro and con, and reflection, doubt, and contradiction are permitted; and thus they avoid the challenge of every great philosophy which, when taken as a whole, always says only: this is the image of all life, and from this learn the meaning of your life! And conversely: Read only your own life, and from this understand the hieroglyphs of universal life!
This is how Schopenhauer's philosophy, too, should always be interpreted first of all: individually, by the single human being alone for himself, to gain some insight into his own misery and need, into his own limitation. . . He teaches us to distinguish between real and apparent promotions of human happiness: how neither riches, nor honours, nor scholarship can raise the individual out of his discouragement over the worthlessness of his existence, and how the striving for these goals can receive meaning only from a high and transfiguring over-all aim: to gain power to help nature and to correct a little its follies and blunders. To begin with, for oneself; but eventually through oneself for all. That is, to be sure, an aspiration which leads us profoundly and heartily to resignation: for what, and how much, can after all be improved in the individual or in general? . . .